Awkward Star Trek orgy
As requested by Sam Wise
sharkprivilege said: could you talk more about the male disney villains being queer coded with stereotypes?
Pink hair bows.
Many male Disney villains are what we would call “camp.” Effeminate, vain, “wimpy” and portrayed as laughable and unlikable. Calling upon common negative stereotypes about gay men, these villains are characterized as villainous by embodying these tropes and traits.
Think about it: Often Thin/un-muscled figure, heavily inked and shadowed eyes (giving the impression of eyeliner and eye shadow?), stereotypically “sassy” and/or manipulative, often ends up being cowardly once on the defensive, many have comedic male sidekicks (such as Wiggins, Smee, Iago, the…snake that isn’t Kaa)
since i was talking about one of the disney man villains who doesn’t fit this stereotype yesterday…
my bf was listening to that song about him yesterday
and i mentioned that he is literally the most terrifying disney villain
because his type of evil is banal and commonplace
there are white men walking around who are exactly like him
men who think that women are prizes they deserve
men who will not listen or pay attention to a rejection
men who will go out of their way, if rejected, to ruin a woman’s life
ppl often seem to miss this when discussion beauty and the beast since the stockholm syndrom ‘romance’ is also a giant icky thing
the terrifying thing about gaston is that he is supposed to be (as all disney villains) a hyperbolic cartoon
but he is the absolutely truest and most real villain
because he exists in the real world
we all know men like him
Also, if we’re talking about queer coded characters the MOST important of all the characters is Ursula who was bad off of a drag Queen (Divine) and has a whole host of negative stereotypes.
She’s also my favorite.
This post is sorely missing some seriously important historical context. The term for this as film history goes is the sissy, and as a stock character the sissy is probably one of the oldest archetypes in Hollywood, going back to the silent film era. Some of the most enduring stereotypes of male queerness—the limp wrist, swishing, etc—can actually be traced to the exaggerated movements of cinematic sissies in silent films. And it’s important to note sissies were portrayed in a range of ways, though they were generally used to comedic effect; queerness was considered a joke, and the modern notion of the “sassy gay friend” in films can probably be traced back to this bullshit too. It wasn’t until the Hays Code was adopted in the ’30s that sissies almost uniformly started being portrayed as villains. Homosexuality was specifically targeted under the euphemism of “sexual perversion”, and the only way it could fly under the radar in films under the strict censorship of the code was by coding villains that way in contrast to the morally upright hetero heroes. Peter Lorre’s character in The Maltese Falcon is one off the top of my head, but there are a slew of them from the ’30s onward, and this trope didn’t go away after the Code ended either. More modern examples in live action films are Prince Edward in Braveheart, Buffalo Bill in Silence of the Lambs, and Xerxes in 300.
So Disney just provides some of the most egregious modern examples of the sissy villain, but this is a really old and really gross trope that goes back years and years in Western film. There’s a fantastic book and accompanying documentary about the history of homosexuality in film by Vito Russo called The Celluloid Closet that gets into a lot of this.
It’s incredibly refreshing to see a response to a post like this that starts with “This post is sorely missing some seriously important historical context.” and then goes on to provide important historical context that adds information to the point being made. I was seriously wincing and bracing myself for “You guys, you don’t understand. It was different back then.”
(Of course, I wouldn’t have been worried if the name of the last poster hadn’t scrolled off the top of my screen by the time I got to it.)
Maps of The Gaang’s Travels throughout the series.
Happy Birthday, Harrison Ford! (July 13, 1942)
Zoe and Wash, while deeply forever ridiculously in love, are not drift compatible.
Zoe and Mal are drift compatible.
Kaylee and Wash are drift compatible, and they have the best piloted, sweetest running jaeger ever been seen in the ‘verse - the best piloted, sweetest running jaeger ever to run away from a kaiju.
(also, the sudden thought of River Tam in a jaeger is rutting terrifying)
She hung from the ceiling, a perfect, motionless sculpture of a girl in the process of becoming a fruitbat. Simon glanced up at her periodically, both checking that she was still present, and reassuring himself that the grind of the machines overhead would keep her from hearing what he had to say. It wasn’t that he was keeping secrets from her; River knew everything about her condition, sometimes more than he did. It was that she didn’t like being talked about, and he respected that.
"They weren’t trying to unlock psychic powers or anything like that, no matter what the rumors say," he said, his voice shaking slightly. Kaylee shifted her weight from foot to foot, disturbed by that tremor in his words. Simon Tam was the best K-scientist she’d ever worked with. For him to sound scared…
"Those people, those monsters…" Simon paused to take a deep breath, relaxing a little at the taste of oil on his tongue. Enough time spent with Kaylee had turned grime into perfume. "They were trying to set up a neural bridge inside a single mind. They wanted to do away with the need for drift compatibility, and privatize the Pilots. Imagine being able to market Jaegers for domestic and commercial use, because you only needed one Pilot, and that Pilot was so doped and dependent that they could never leave you."
"That’s horrific," whispered Kaylee. "They…they messed up her brain tryin’ to do something as can’t be done?"
"Oh, it can be done," said Simon grimly. "They succeeded.
"My sister is in constant Drift with herself."
Shadow Girls: Part 1
Kashira Kashira, Gozonji Kashira?
Do you know? Do you know? Have you heard the news?
I need this on my blog.
I know I’m not the first to draw some SUtena crossover art, but I wanted to doodle this after marathoning Utena to get through the final days of my senior film.
Tommy “Tiny” Lister!
The single character who saved The Dark Knight from being a slog of 100% nihilism and the selfishness of humanity. It’s him and Batman who prove the Joker wrong about the human race.
I’d like to think that he’s paroled on good behavior and uses a Wayne Enterprises grant to start a halfway house/job placement program for excons.